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There was once a convoy heading for the West
bound together they were, of the same bones
lying down their path in front of their hooves
lying about their path as the snow would heave

they had packed up heaps of what they had but
as they had not much there was not much weight
piling on them as their feet were grinding what
was left of their fears and defeated minds

they had stories to count on to help them stay
awake and at stake – they had horror stories,
histories to recall and call on when all that was
was a vast no-one – they had fear possibilities

what was it that they found in them was it
a cord that laid consistency in front of them
was it blood that had them dream of a liquid to
grasp was it a gasp or was it an enchantment

there was snow cutting them down in their skin
there were horses refusing to live long and cold
there were hopes thrown like a handful of flakes
on a snow bank there was – a mere dying hand

they had an issue that was no exit they had
their own bodies and minds, restless chilled, blained
bones that they had ground finely until they were
part of the soil again part of the sole plain

they had
no other
escape

just like we had no other
when we met them drenched
covering their needs
on a pure floor

Here is a post inspired by Tracey Grumbach‘s picture below, for tonight’s dVerse Poets Pub. Enjoy, and have a good Saturday evening.

On this tweaky hour
although we had hands pointing at
various skies we
couldn’t find the middle of
things.

Away for twelve hours
already we had killed two birds with
various stones we
couldn’t help leaving one in lieu of
goosebumps.

We avoided rush hour
all the way we rushed to get where
various angles were softened
we found skies of dots and lines
birds.

Oh all that’s ours
always leaves fleeting out
various trajectories we
can’t help seeing circles
ends.

The following poem was prompted by James Rainsford‘s picture, Reflections. It is part of dVerse Poets Pub. Enjoy, and please don’t hesitate to visit James’s website and the other poets present at the pub.

by James Rainsford

Reflections again

This time I didn’t see my reflection
lost in thoughts
as I was
tracing back V-shaped steps
-victory or loss-
pacing back grieving laps
-will or sallow-
I was inclined to weep.

That time I didn’t see my reflection either
in fact
lost in time
as I was
gazing back at juts of mist
-water or misery-
racing back at an impression
-your eyes not mine-
I found you and lost me.

Two reflections that I didn’t see
Two straight poles that I couldn’t stand
between
half-fallen as I was
already half-part of the
pondering world.

With a different year in mind goes Darren Hayes’s song, a year I wasn’t even born. But in 1999, I was, and let me dive back into this year, the one that followed the year the best music was released (according to me). Let me recall the musical times I had back then.

(This poem was prompted by dVerse Poets Pub – thanks to Shawna.)

Stained with bubble gum landscapes
tying friends together like dolphins on a chain
we carried on dancing like we had nothing else but
the same music over and under and in

side by side
hand on hand
studying hyperballad phonetics
under our newly coffee-stained breath

stained
was our word full of promises
I could never blow balloons but I tried hard I swear
I sweat
at the thought of pink sticky matter exploding on me

and keeping me from understanding
Koi
Eifersucht
Karma
from holding back the years
yet

« What kind of monster would I be able to release? »
I rushed as music found a circular space
in our already hardened mind.

This short story was written with the following prompt in mind: Write a scene that makes no sense at all (even though this story does end up making sense somehow). For more writing prompts by Sarah Selecky, follow her on Twitter (@sarahselecky) or see her website.

***

No sense. Nor good, nor bad. Just a plain, short, bread story. Of a girl trying to automatically type things in a foreign language, thinking of doughnuts round her head, vomiting words on a too clean screen.

She would be the kind of girl who keeps avoiding cracks, even tracks. In fact, she would be avoidant of anything. The mirrors had all been wrapped already, as if a stare would put her at stake.

A steak. What about cooking something? Anyway, mom would call soon. And she needed to be stuffed to be able to talk to her. I mean, to listen to her.

Now, to her grumblings, her stomach’s.

What was I writing again? Ah, yes, being a good dough. Being tough to myself, though. Punching myself in a hole when full. Scraping myself when in need. Nothing really wanted, nothing really lost then. Nothing gained either, just pain, and food. And life, maybe.

I gotta breed. Uh, breathe. These haspiration sounds are ‘ard to make.

The call came. She wasn’t stuffed. She couldn’t stand it but sat down anyway, and lied. Even her tiny yesses were full lies, flies biting her mom like a filled doughnut. You know, the ones you eat and then you get all this whipped cream and custard cream and whatever-it’s-called cream all over your chin and nose, so that you can’t breathe anymore? Let alone talk.

Leave me alone. Talk.

That’s what she would say if her mouth wasn’t already chewing and squeezing. In fact, she was just squeezing her teeth together – only her saliva’s dreams were chewy.

There’s a plot in there. Her life had to be more deconstructed, and going nowhere.
Did I ever mention the bread?

Well, the birds did it. They crawled on her while she was panting, the phone hung around her neck, her mom’s voice violently crying over the tv’s. She had goosebumps, which looked like breadcrumbs to the birds’ limited eyesight.

It didn’t taste any good though. And it didn’t make her any good.

This conversation – would aversion be a more appropriate term? – could go on forever, and she wouldn’t even know. Her eyes were screwed into a screen, apparently moving, but not going forward anymore.

It looks like I’m seeing my whole life all over again. Like I’m losing track all over. I’m giving all.
In: A mess. Too much crunchy bread soaked in wine. Is this what we call luxury?
Up: A god, maybe. A mass for her in Heaven, with the birds dropping crumbs on her as she walks up the aisle.

She wakes up, always too late. I almost ate the receiver, she excused herself, dabbing and pampering the phone with a napkin.

Oh, that’s a word I had not expected to come out. Or to let out. Whatever the subject may be.

And there comes the banana. Underripe as her soul, overripe as her body, stained with goosebumps. She had better put herself in the freezer immediately.

But her saliva would freeze around her mouth if she did so.

No more sensation. No more sense. No more!, would she cry, her eyes and sensitivity uplifted.

She lifted herself up on a stool, and reached out for ingredients to season her life: Every single one had an exotic name and she didn’t want them. Paprika sounded like paperwork. Safran, like suffering. And cinnamon, like sour lemon. She would have preferred strict acid, that is to say.

Where was the mom? Lying on her floor, somewhere, on her round belly, not seeing her child doing foolish things again. Was this child ever born anyway?

I gotta not listen to anyone ever. Anything hardly makes sense anyway, she kept lulling herself, standing on her not-made-for-rocking chair.

A sense? She finally found some vanilla. Essence, that’s it. That’ll fuel her, that’ll give her gas.

A car came pulling at her. She felt it rolling inside her, actually grasping her side and stretching it out, out, out… Her skin was already flying outside, while her pain remained whole, not so refined after all. She felt like a pouch, a pouching bag.

Can a punch fly?

The questions in her head were burning incensively. They were too slow, too sticky, too antigravitational. How strange was it to feel like a hippy while simmering in a pot. Her hand got caught and slapped in a jar when she tried to pull at her turn, at a car-shaped biscuit.

Her mom furiously shouted something about colourless green ideas sleeping. I know you!, she answered. There’s no use for a non-American name!

A tree dropped its branches in a cascade from her head, all her words purposely running to their proper place. The words sounded like a thousand syntax notebooks dispersing themselves in the years. With more hard work, she could have bloomed out of the cement. But instead, she has been eating cookies, as her books have kept the secret in the shape of brown stars squeezed in between pages and words.

She was still as unripe, as green as her ideas. She would let them go before she even tried to tame them. Too many vibrancies where rushing through her, using her body as an instrument to fulfil their dreams, too loud so she had to fulfil her stomach. And then peace would come, in the shape of a bird song. The bird wouldn’t fry; instead she would steal it and fly.

What about the mom, crying over an empty phone, left out by herself while the kitchen was being taken control of?

I don’t know. I don’t know of her, yet. She might take care of me, and not just control. But I gotta roll with it first, let pastries pace my days and paste a devastated picture of myself on my wall.

Her mouth was dry. She had run out of substance. The birds had flown away with the jar, full of words.

Bursting as birches do
I am left on my own
Moss
Out of town
Most of my life has just passed away in a bonfire

Blurrying as blushes do
I am staying here in the mess of woods
I’ll build myself a house out of
Myself
A sky so blown
As a rooftop under which I’ll carry on
Picture after picture

I guess I’ll just pour myself some tea
Under leaves and heaps
Over lush
Let me disappear in between
Branches
Let me connect until I liquefy into mud

Dust
Spread on a bark with a brush

Ash
Blent in with moist



(Reena’s whole article here)

This poem has been prompted by Reena Walkling’s picture – thanks to dVerse Poets Pub and their prompt of today.

There is a hole in my vision. There is an open field for many more words in my perspective.

And guess what? I’m not using it. I’m jumping through this empty piece of me to avoid being trapped; But instead, I’ve trapped myself in a whole process of hide and seek.

What’s that whole life of dissatisfaction and missing parts, anyway?

I’d prefer to have the complete puzzle, unbroken, from the start. Two pieces would be enough for me, thank you very much, I’ve had enough.

A perfect life without headbreaking, that is. But that’s not what I got, nor what you have.

Anytime I start a new day the challenges frighten me to the marrow. Anxiety creeps up my spine and spin my head. I’m longing for these holes in between classes, these holes I’ll be able to step back in.

But then what do I find? Mean times.

Reflexive times, of course, but ô combien scary sometimes. I don’t know how to be whole when I am not working.

Correction: I can BE whole but I can’t FEEL it.

I thought I was lacking time for myself, but I am not. I need space in my mind, space in my body, acceptance of what is, gusto to write. Not just unwork.

That is: I need to make a bigger, deeper hole within me, not in my schedule. And then fulfill it (with thoughts, writings, coffees, loves, pictures, airs, purrs).

I need a whole lot of jigsaws for me to work on.

Winter has started at last, and so has my life, or so it seems.

November had stretched and stretched for too long – hibernation had to end. And the child heart had to come back – the one that’s pushing colleagues in the snow, jumping over snow benches, not caring about borrowing phrases from one language to another, not caring about anything at all, in a way.

The weight of the snow is slowing me down when I’m walking, leaving me more time for a few reflections. A few dances, too, hidden under pretended slips on the coat of ice.

Winter has reminded me that I was happy. Winter has reminded me that I could choose my happiness. That I had to choose it, somehow.

What does that mean? I need to say yes to what makes my heart pump. I know I need both extremes to live; I’d already come to that conclusion earlier. Today, it meant dream through two extra hours of sleep – sip through a latte made by loving hands – stumble upon great poetry I don’t understand and love the fact that I don’t understand it – and later, go dancing in the snow, under starry and city lights.

But I’m not only saying yes to the weekends. I say yes to the purpose I’ve had for a year full-time now: My job as a French teacher, and the numerous connections revolving around it. My life is not about looking perfectly white and brilliant in front of a blackboard; It’s about giving whatever I have – knowledge, patience, empathy, encouragement – to students and see them move forward. (Even see them cut through a snow bench sometimes.)

Thanks to Sui Solitaire and her book the thing about thin for that smooth reminder. (A book review coming up on this blog!)

It may all be about jumping out from oneself and see things differently. For my part, I’ll step into the snow, where the cold bites… and brings back to life.

Maybe I was just meant to make angels. I’ll make mine, and then help a couple angels make themselves.

Let’s help each other, OK?

Tonight I needed to start on a quote (Interpol, Memory Serves). Memory serves me, and I’ll wait to find if it serves you too.

I don’t know how my soul is served when I drench it back with the Sea of Japan, my own see of Japan, that is to say a cover. A crossover. A mix of filling music, and quenching readings. Quenching livings.

My stay was a whole lack of words.

Now I’m listening to its echo, glistening echo. And as I somehow feel it has come to a halt, I remember again, buckling up all these wineful tears. A bucketful of these.

Music serves me: It triggers a reaction in my soul, the same as I used to have. A reaction in my soul, the same as I used to. Have. An unused word.

A little more wine. A little more food. All the same, you fool. Me fool.

The bucket is not full to the rim yet. Try it on, cry a little faster, cry a little further, down to a place where there’s nowhere to stay.

How can a music crave its way so hard to my heart? How can I love so deep that a whole country in me shakes? How can sounds can move my body to a place it doesn’t belong to at all? How… can you love this shakiness in me?

How can I still be chasing my damage at the same tunes?

Maybe because it raised me.

I am looking for the word spilled on the street, yes, the same you dropped by on your way to the fall.

I may be inspired by Interpol. Gloomy music composes the thread of my days, the threat to my ways. It’s like saying, or rather singing to the wind, « Never stop whirling these things in my head. Never top my head with heatwaves anymore.

Fill me with nature filtered through town. »

My heart is heavy, but how could it be otherwise? How could I want it light when even winds are strong and deep? When the ground’s dirt is being lifted up, and transported to my heart altogether?

Could I just want it that way, and never complain anymore? Could I just accept the dirt for being dirty, the filth for being filthy, the shit for being all the same?

I might be insane, as you might say. (That leaves us with « being sane » as the most probable thing that could happen to me.) But I might just as well be fond of dark paths and scary parts, mad cats and weary naps.

You never know, I might be a diver too. Or a pioneer, if it does matter. And I’m gonna sing it up to the moon, as another tiring autumn day vanishes blankly in the crisp air.